Screens in the bar tower in Marshall cabs. Possibly the coolest bit was to incorporate
Mike stern midi archive#
Guitar and amp from each) and most notably Jim, with various archive The Marshall display were Peter Frampton, Jeff Beck, Slash (featuring a Museum, along with Marshall items HRC own. Alongside #1, we displayed some other items from our It runs a HRC menu, has a great bar, VIP stageįeaturing some of the artists from the main stages doing an impromptu
Temporarily set up for the event catering for hundreds of VIP’s fromĪround the globe. The main part of the VIP area is basically a whole Hard Rock Café HRCįly in 190 staff from cafes around the world to work the event. Including various cocktail bars dotted around the whole area too. Include an internet café, swimming pool (yes, really), Twinnings doubleĭecker bus for tea, Budweiser BBQ restaurant, beauty spa and much more, Including art galleries with pictures produced by artists. Rock Hotel & Casino) and they also have various other displays Marquees set up, incorporating and promoting their other brands (Hard Is that it’s like nothing you’ve ever experienced. The thing you have to understand about Hard Rock Calling’s VIP area Successfully visiting various European locations, #1 returned to the UKĪnd was the centre piece of a massive display of Marshall in the VIPĪrea of Hard Rock Calling (FYI, from here it will do it’s last stint at We've been working with Hard Rock Café on for the last few months. Our involvement this year was part of the ‘Amp #1 On The Road’ that Theįestival was pretty much a sell out with Saturday seeing the busiest Year was headlined by Soundgarden, Bruce Springsteen and Paul Simon. Muddy Hyde Park, London for the annual Hard Rock Calling concert. On the 13th-15th July, several thousand people gathered in a rather MIDI-LEARN for easy programming of channels, FX-loop, reverb and power soak Integrated MIDI-Interface including phantom power
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Serial FX loop for adding eff ects-fl avored spice to the sonic stewĥ-stage, MIDI programmable power soak with silent recording capabilityīalanced RED BOX OUT with authentic speaker emulation TSC-protected power amp featuring auto-bias and status LEDįootswitch connection enabling remote channel switching, FX-loop and reverb Oversized transformers with tons of headroom Push-pull power amp that pumps out stage-approved 36 watts Preamp section sporting three 12AX7 tubes Modern high-gain sound that pairs plenty of punch with endless sustainĢx Passive 3-band voicing section tweaked to evoke the best frequency response out of each channel Warm tube tone with phenomenal dynamic range that sweeps from sparkling clean to throaty crunch Harmonically rich tube distortion that goes from from edgy overdrive to creamy lead sounds And that makes the TubeMeister 36, already one of the world’s most versatile tube amps, also one of the most dependable With the TSC, swapping tubes couldn’t be any easier. It is an automated system that constantly monitors and readjusts the bias to ensure power tubes operate reliably and deliver to-die-for tone, always. But that’s still not all there’s also the wonderful TSC (Tube Safety Control). You can even feed the signal to in-ear monitors on stage without having to fuss with a cab or mic. In combination with the power soak’s silent recording option (Speaker Off), the RED BOX lets you lay down professional-quality tracks any time day or night. It authentically emulates the sound of a 4 x 12" cab and delivers a balanced line signal to the Speaker Out for use in rehearsal rooms, on stage, and even to pipe that sweet tube-driven sound straight into the PA. The built-in RED BOX feeds preamp and true power amp tone straight to a stage or studio mixing console. Now you can keep that Master knob dimed even at home. And the 1-watt option brings the sound of the big stage into your own four walls, sans tonal compromises. Imagine what this can do for your stage performance. A touch of a button is all it takes to conjure up to 128 such combinations.
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Or you could run the Lead channel at 18 watts for some high-gain riffage and switch over in a flash to the full 36 watts for a screaming solo. For instance, you can tap its full dynamic range by running the Clean channel at 36 watts and switch over to the Crunch channel in 5-watt mode with the Master knob wide open to get good and grungy with some grinding rhythm.
It can even select the power stages of the integrated power soak (36, 18, and 5 watts, 1 watt and Speaker Off)! This revolutionary MIDI power soak can do some wild voicing tricks. Kettner built in a MIDI system to access the channels, FX loop and onboard reverb. But that’s not nearly enough for a real TubeMeister. Independent gain and master knobs and a switchable FX Loop are standard appointments on modern triplechannel amps.
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